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Poster for 1998 Fete du
Livre, Aix-en-Provence
"Lire la Caraibe"
I design this poster for a book
festival which happened every year in the City of
Aix-en-Provence. In 1998, the subject was "Caribean
literature". To create this poster, I wanted to
escape from "cliche" we have when we think about
Cuba and Haiti which are famous destinations for
tourism. To start my work, I collected an important
number of images, as well as I read books, and
listened cuban music. I understood the weight of
the terribly hot and humid climate which makes
colors and light becoming very bright, and creates
an interesting contrast between day life and night
life. I learned a lot about the social tensions
describe by the authors, and of course the politic
engagement and the role of the writers in societies
where unfortunately a lot of people don't know to
read. This is a reason why writers appear
subversive for their government. It is not easy to
be a writer in such countries. In fact most of them
are living in exile. The poster reflect the
complexity of the Caribbean Islands. I wanted to
express the sadness and the vivacity of this part
of the world with a poetic attitude. For me, the
poster needed to be structured around a kind of
dance motion with a strong contrast between light
and shadow. The typography is in movement and
evokes the human presence. I mixed letters, big and
strong like an out-cry, with an image of a palm
tree and the pages of an open book. Anything in
this poster is stable. The total effect evokes a
powerful impression of movement and emotion. The
impact is not only created a by technology, or
traditional of knowledge, but is the result of
experimentation with mixing images and type
lay-out. I try to use the poster design composition
freely, opening up new possibilities to express the
Caribbean spirit.
Philippe Apeloig
Born in Paris in 1962. Graduated
from the Ecole Nationale Superieure des Arts
Decoratifs, Paris.Trained at Total Design in
Amsterdam and in L.A. with April Greiman. In 1989,
he established his own studio in Paris. He has been
engaging in the graphic design works for public
institutions such as the Jewish Museum in Paris,
the Musee du Louvre, the Musee d'Orsay and the
Contemporary Art Museum in Nimes. In 1994, with a
scholarship from the French Ministry of Culture,
Apeloig devoted himself in the experiment with
letters and the development of typography for the
purpose of typographic abstraction at the French
Academy of Art "Villa Medicis" in Rome. Since 1992,
he has been teaching typography at the Ecole
Nationale Superieure des Arts Decoratifs.
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