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Typeface Design
Any form that is generated by
life, including human life, is design. We handle
these disseminated shapes freely and we also delve
into them so that we can better communicate their
essence. I will be very happy if, from this much, I
can help give birth to something original. 1. I
have reconstituted a sense of the value in Japanese
language which is minimalist and unique-nor merely
as a medium through which you read, via its
characters, bur from a spiritual point of view. I
have considered the notion of looking upon the West
as a culture of stone and the East as a culture of
wood. In contemplating this line of though, it is
perhaps in the reproduction, and not the
consumption of culture, where the process of these
concepts and their corresponding materials should
culminate. 2. I try to imagine for the future.
Challenge of producing typefaces; it presents the
necessity of experimentation; to seek out and
develop things from every angle in every possible
way. I hope this word will be the starting point
for and the harbinger of a new era in
typography.
Shigeyuki
Takaoka
Born in Saitama in 1969. Enter the Tama college of
Fine Arts in 1991. His awards include: Pia Campus
Festival Competition Special Prize, Tokyo Urban Art
competition fine recognition, Nikkei Adole Campus
Producer Award Encouragement Award, Enfini Museum
Excellent Award, FROM A THE ART Competition
Encouragement Award.
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